
Albrecht Durer, Knight, Death and the Devil, 1513
Copper engraving on paper, 25 × 19.6 cm
Digitized by miscLab
Knowledge Base
Sample Library
This page gathers the viewable samples currently available on the site. Click a sample name in the table to switch the left display window to the corresponding work or technical demo.
Sample Index
Name
Process
Description
→Reflective Original Sample
High-precision copper engraving digitization / tiled zoom
The homepage work Knight, Death and the Devil, used to observe line structure, paper texture and high-magnification image browsing.
Kunisada III, Hosokawa-ke Taika Chushi no Homare
Ukiyo-e triptych / wide-image fit / click-to-enlarge
A three-sheet ukiyo-e triptych from Meiji 22 (1889). The catalog screenshot records the artist as Kunisada III and notes trimming, minor stains, slight toning and "模様血染御書". The default view keeps the wide image in a proportional fit; clicking the image opens a separate enlarged view for overall detail inspection.
Multispectral Scan Sample
Mural multispectral scan / invisible-detail recovery
Multispectral scanning can recover parts of a mural that are not visible, such as imagery beneath a smoke-blackened carbon layer.
Kaishantun Historical Negative Restoration
Historical negative restoration / contact-sheet display
Kaishantun historical negative restoration
Praying Hands Digital Restoration Comparison
Before-after restoration comparison
Albrecht Durer's Praying Hands is one of his best-known studies of hands. When the collector brought this original work to miscLab, broken frame glass had fallen onto the image surface, creating many scratches and local damages. We removed these scratches through digital restoration while preserving the natural state of the paper and drawing lines.
Praying Hands High-resolution Restoration Sample
High-precision scan / digital restoration / tiled zoom
The restored large image is presented as tiled zoom media for inspecting linework, paper texture, restored areas and detail continuity in Durer's Praying Hands.
Transmissive Original Sample
120 negative transmissive scan / tiled zoom
A negative scanning sample for inspecting film grain, edge detail, shadow gradation and the file density required for large output.
Digital Contact Sheet Sample
Film digitization contact sheet / tiled zoom
FS-4386378ContactSheet, useful for inspecting batch previews, selection marks, file indexing and records for later high-resolution scanning needs.
Han Dynasty Convict-Brick Rubbing
Focus-stacked scanning
The inscription likely reads "In the third year of Yuankang, tenth month, ninth day, at the wu hour, [he] died. Former clerk Zhang Bohua, aged sixty, lived in the north lane of Shiqiao li, Changping county." It may come from a Han dynasty convict brick. Captured with multi-layer focus-stacked scanning, it preserves rich detail inside the stroke recesses for inspecting rubbing ink, paper relief, damaged edges and character-form details.
Mask-removal Sample
Color negative inversion and mask removal / before-after comparison
Use the draggable before-after control to compare color, density and contrast before and after mask removal.
RTI Sample
Reflectance Transformation Imaging (RTI) / interactive lighting
An RTI web demo from the Kumtura-related project, allowing surface relief, incised lines and material information to be inspected by changing light direction.
Kizil Cave 188 RTI Sample
Reflectance Transformation Imaging (RTI) / interactive lighting
An RTI web demo from the Kizil Cave 188 digitization project, allowing surface relief, incised lines, damaged edges and material information to be inspected by changing light direction.
Kumtura Standard Scan Sample
High-precision scan of a mural replica / tiled zoom
A standard scan display from the Kumtura New Cave 2 project, zoomable for color, line drawing, surface texture and local damage information on the mural replica.
Supersampling Sample
Paper supersampling scan / panoramic stitching / tiled zoom
A panoramic stitched sample from PaperProject202105094135, useful for inspecting paper fibers, surface texture and the detail headroom produced by supersampling.